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Pierogi Gallery at the Armory Show March 8th to 11th, 2012
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hMa Likes: Shonquis MorenoCultural Conversations with hanrahanMeyers architects
hMa recommends writer/designer Shonquis Moreno and her website shonquismoreno.com
Here is a short profile on Shonquis, excerpted from her website:
Brooklyn-based journalist Shonquis Moreno has served as an editor for Frame, Surface and Dwell magazines and writes on a freelance basis for publications such as T The New York Times Style Magazine (travel and design), Whitewall, Wallpaper, Metropolis, American Craft and Interior Design, among others. The lead author of Marcel Wanders: Behind The Ceiling, the designer's first monograph, Forefront, a book surveying international window display design, Eat Out! Restaurant Design & Food Experiences and Out of the Box: Brand Experiences Between Pop-Up & Flagship, she has also contributed to books published by Gestalten, Birkhauser and Frame on subjects ranging from architecture, interiors and furniture to product and packaging design.
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hMa Recommends David Teeple: Dialogue with a Collection “Thinking Water: Poetry Systems and Politics” at the University Museum of Contemporary Art
David Teeple: Dialogue with a Collection "Thinking Water: Poetry, Systems and Politics"
February 1 – March 16
Tuesday – Friday, 11:00 AM – 4:30 PM, Saturday/Sunday 2 – 5 PM Closed Mondays and Spring Break
freeUniversity Museum of Contemporary Art
Fine Arts Center University of Massachusetts
Amherst, MA 01003This exhibition is a series of exhibitions at the University Museum of Contemporary Art in which artists are invited to integrate their own works with pieces they select from the museum's works-on-paper collection, which includes over 2600 contemporary prints, drawings, and photographs. It features work by David Teeple alongside works he has selected and placed in direct dialogue with his own sculptures and works on paper.
Exhibition view: (L) David Teeple "Mississippi / Louisiana Border 2", 2010 (R) David Teeple " Verb/Noun List – Emotions", 2012
Teeple’s works will reference rivers, aquifers and the hydrologic cycle in context to systems of economy, society, nature and science. It will include the construction of glass tanks containing water, video images, sculptural pieces derived from bathymetry, vector drawings based on satellite imagery, and laser cut objects. Moreover, the exhibition will include paintings and silk-screens of river systems to create interwoven patterns and structures.
David Teeple has been a practicing artist since 1980, and has created dozens of mid- and large-scale projects. His work can be found in public, private, and corporate collections both nationally and internationally. From 1996 until 2008 he was founder and president of Atelier Lumiere Inc., an art and architectural design, consulting, fabrication and installation firm. Teeple’s most recent work, Water Music, spans a rail-road bridge in downtown Northampton, MA.Related Event:
March 2, 7 PM – Walking Water, a performance by David Teeple and seminal Fluxus work Drip Music by George Brecht, performed by members of Switch. -
hMa Recommends Ward Shelley “Unreliable Narrator” at Pierogi Gallery – Opens 2/17/12
WARD SHELLEY "Unreliable Narrator" Gallery 1 & 2
DATES | 17 February – 18 March 2012
LOCATION | Pierogi @ 177 North 9th St. (between Bedford & Driggs Aves)
DIRECTIONS | Take the L train to Bedford Ave stop. Walk 2 blocks to N. 9th St.
www.pierogi2000.comPRESS RELEASE
Unreliable Narrator is about believers. In this exhibition of timeline paintings, Ward Shelley proposes that believers are people who depend on a collection of narratives to explain the world around them.
Facts are like dots on a graph. The narrative is the curve that connects them, that gives isolated data points meaning, and gives meaning shape. This graphical epistemology emerges naturally from the way Shelley creates timelines, which he considers pictures of narratives.
As actors in the world, according to Shelley, we need a world view, and a world view requires some construction. Narratives are what we construct — they are the basic building blocks for organizing our outlook and interpreting the world. Yet they are shaped more by belief than by fact.
We are all believers; it seems there is no way around it. But the voice in our head is that of an unreliable narrator.
To explore the structure of narrative, half of Shelley's paintings are being shown naked, stripped of the text. Words are like magnets for the eyes and in Shelley's text-laden images, they crowd to the front of the viewer's attention to tell the story. Beneath is a structure — and this structure is also information, as well as informational architecture. Is there a necessary structure to narrative?
We use different parts of our brains for reading and looking. Is it possible that legible graphics, which utilize very conventional forms, rely on some pre-existing structure for thought, a pre-existing structure not unlike the innate cognitive structures in the brain that linguists believe precedes language and make it possible? This exhibition suggests that the shapes of information carry messages.
The subjects of the works included in this exhibition range from teenagers and the history of science fiction, to a diagram of the fluxus movement, among others. This will be Shelley’s fifth one-person exhibition at Pierogi. His performance, installation, and timeline works have been shown widely in Europe and the US. He is the recipient of numerous prizes and residency fellowships including the Priz de Rome and a Joan Mitchell Foundation Award.
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hanrahan Meyers architects Likes “Amazing Timelapse of a 30-story Building Constructed in Only 360 Hours!”
Repost from Gizmodo:
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DWiP: Digital Water i-Pavilion (Battery Park City Community Center) by hanrahan Meyers architects featured in Wall Street Journal
aerial site photo of DWi-P/ Battery Park City Community Center in construction Post Victoria Meyers architect
Here is an excerpt from the article:
Battery Park City Wraps Up Building
By: Joseph De AvilaThe center marks the completion of the Battery Park City Authority's role as the lead developer for the neighborhood—a role it has played for more than 40 years.
"We are closing one chapter as real-estate developer and opening a new chapter as a building manager," said Gayle Horwitz, chief executive of the authority.
The other project the authority is working on is the development of Pier A, which has been closed to the public for several decades. It will include food courts and performance space and is expected to be finished by the fall of 2012.
A rendering showing the complex at ground level. It is expected to be finished in September.
In 1968, the Battery Park City Authority was formed to oversee planning for the nascent neighborhood that was built on landfill from the excavation of the World Trade Center. In its early days, the authority put together a master plan for Battery Park City to manage the growth of the neighborhood.
Click here to read the full article on wsj.com
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hanrahan Meyers architects recommends: ‘The Fabric of the Cosmos’
Brian Greene (pictured) in an scene from the PBS series "The Fabric of the Cosmos"
PBS is showing episodes hosted by physicist Brian Greene. Professor Greene teaches mathematics and physics at Columbia University, and is also a best-selling author of several books, including 'The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos', published in 2011.
hMa's work makes several references to science and mathematics, and we hail Dr. Greene for bringing these materials to the public in a very profoundly readable format. The PBS episodes are fantastic, and we plan to purchase downloads for our i-Pads!
Click here to visit The Fabric of the Cosmos page on PBS.org
Infinity Chapel by hanrahan Meyers architects, developed in conversation about infinity, hypercubes, time, and light click here to view all images of Infinity Chapel on www.hanrahanmeyers.com -
VIDEO: Victoria Meyers Lecture at BXMC for Iannis Xenakis: Composer, Architect, Visionary
Xenakis Simposium_Victoria Myers from BXMC on Vimeo. Victoria Meyers architect
Architect Victoria Meyers presents the work of hanrahan Meyers architects, and discusses the influences in the work from Iannis Xenakis. In particular, Ms. Meyers' talk focused on the firm's DWiP (Digital Water Pavilion), designed for Battery Park City's North Neighborhood, and scheduled to open in 2012. hMa is a firm that specializes in designing public buildings and masterplans for cities and campuses, incorporating state of the art green technologies, while also fostering collaborations with artists from around the world. hMa has collaborated with Michael Schumacher, David Teeple, and Jane Philbrick on various projects in the past. Jane Philbrick's latest site specific installation opened at Mass MoCA in September 2011.
About the Program: Iannis Xenakis: Composer, Architect, Visionary explores the fundamental role of drawing in the work of avant-garde composer Iannis Xenakis (1922–2001). One of the most important figures in twentieth-century music, Xenakis originally trained as an engineer and was also known as an architect, developing iconic designs while working with Le Corbusier in the 1950s. This North American premiere of Xenakis's visual work is comprised of samples of his pioneering graphic musings, architectural plans, compelling preparatory mathematical renderings, and pre-compositional sketches—in all, nearly 100 documents created between 1953 and 1984. The exhibition is accompanied by an exciting schedule of public programs, concerts, and symposia around New York City. Co-curated by Sharon Kanach and Carey Lovelace, the exhibition traveled to the Canadian Centre for Architecture (June 17 – October 17, 2010) and the Museum of Contemporary Art, Los Angeles (November 7, 2010 – February 13, 2011).
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hMa Recommends NYT: “The Fluid Human Dance That Is Grand Central” (re-post)Cultural Conversations with hanrahanMeyers architects
Between 8:30 and 10 a.m., enough people stand still, some in groups, to make the floor of the Grand Central Terminal look like an Italian piazza photo: Chang W. Lee/The New York Times
Excerpt from the article:
By ALASTAIR MACAULAY
Published: August 31, 2011"Every city has its own choreography, formal or informal. The composer John Cage loved to point out how any street corner is theater of a kind; the dance critic and poet Edwin Denby wrote ardently of how daily life was full of things to see; and when one of Merce Cunningham’s dancers asked what a piece was about, he took her to the window, showed her the view of the sidewalk and said, “That.”
To observe large numbers of people moving and coexisting in complex simultaneity, I chose to make two visits to Grand Central Terminal in August. Its main concourse is among the city’s spectacular locales, giving you the chance to observe the complex patterns made by arriving and departing passengers. Its vast, tall rectangular block of space is framed by high windows, a ceiling embellished with constellations, and double staircases at either end. With its many arches leading to other parts of the station and its central, four-faced clock, it is more than the sum of its exits and entrances: it adds heroic drama to the very thought of travel."